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► Show Spoiler
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Going into this, Jae-Seong believed his opponent to be a formidable fighter, and because he respected that, the bar he’d set for her in his head was fairly high with regard to baseline combat knowledge. He figured that both of them would avoid using much magic in this scenario since doing so would complicate things and end up diluting how much of the duel was actually practicing the swordsmanship itself. That, and he was certain that Imogen was a far more potent mage than he was.
To his first move, her response was to dodge and then counter strike– wise; doing so meant he’d have to adjust far more to be in a position to strike again as opposed to dodging alone. Since his downward strike was angled diagonal and his other hand still remained tucked close to his waist, his leading arm naturally fell in close when he missed, forearm over forearm and with leading blade held outward.
To avoid her counter, the swordsman pitched his forward momentum slightly to the side, just enough to get out of the way, and then into a tight, graceful spin meant to both preserve and redirect his energy. To be pushed into this sort of maneuver was not actually that much of an inconvenience for his style of fighting, however, because in his dodge, the angle of his weapons made him dangerous to approach again as opposed to vulnerable– but it did waste time, creating a brief delay before he could strike again.
The nobleman let his momentum carry him forward through his spin at an inward, spiraling angle– when next his body faced his opponent’s, he was behind her. Rushing forward, he’d attack this time moving both blades in tandem. His arms circled forearm over forearm, his swords swiftly spiraling in a fashion not dissimilar to a vortex of wind. The upkeep of this technique required a lot of dexterity and control from him, but it was a skill he’d put a lot of time into making sure he could maintain. Difficult but dynamic, it was a swift and potent attack while at the same time providing excellent defensive coverage for the front of the warrior due to how quickly the blades spun, making it oppressive in duels.
To his first move, her response was to dodge and then counter strike– wise; doing so meant he’d have to adjust far more to be in a position to strike again as opposed to dodging alone. Since his downward strike was angled diagonal and his other hand still remained tucked close to his waist, his leading arm naturally fell in close when he missed, forearm over forearm and with leading blade held outward.
To avoid her counter, the swordsman pitched his forward momentum slightly to the side, just enough to get out of the way, and then into a tight, graceful spin meant to both preserve and redirect his energy. To be pushed into this sort of maneuver was not actually that much of an inconvenience for his style of fighting, however, because in his dodge, the angle of his weapons made him dangerous to approach again as opposed to vulnerable– but it did waste time, creating a brief delay before he could strike again.
The nobleman let his momentum carry him forward through his spin at an inward, spiraling angle– when next his body faced his opponent’s, he was behind her. Rushing forward, he’d attack this time moving both blades in tandem. His arms circled forearm over forearm, his swords swiftly spiraling in a fashion not dissimilar to a vortex of wind. The upkeep of this technique required a lot of dexterity and control from him, but it was a skill he’d put a lot of time into making sure he could maintain. Difficult but dynamic, it was a swift and potent attack while at the same time providing excellent defensive coverage for the front of the warrior due to how quickly the blades spun, making it oppressive in duels.
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'Thoughts'
"SynskritTongue/Speech"
"Common Tongue/Speech"
"Inandoth Tongue/Speech"