Ash 61, 124
The Pfenning Theater [Underground]
In old Zaichaer, the Pfenning Theater had been the nonpareil of entertainment in the city. The working man and well-to-do alike had thronged to the cheap seats when they could get them; high-ranking officers and nobles of the old order had paid top dollar for cherrywood boxes and seating in the gods. She'd worked there for many happy years, cleaning up for the patrons, keeping the brass and balustrades shiny as a button, occasionally manhandling drunken patrons out the doors and tossing them into the alleyways...
But the Theater had suffered badly in the catastrophe two years prior. It was far enough from the blast zone around the Presidium that it had mostly escaped serious structural damage, but the interior had been trashed by the transmutation of many of its patrons. Even after killing the thing they had become, Imogen Ward had despaired of ever seeing the grand old theaterhouse restored to working order.
It looked much better now- there were fresh posters on the streets outside, and the superficial damage to the interior had been patched up while more long-term work could commence. Doubtless it was once again full of folks entirely ignorant of the real purpose of the institution, actors and workers and accountants all acting as the busy fingers of the Railrunners without ever knowing it.
That original purpose was why the witch had returned here, today. Sans Carina, she had little interest in staying just to watch whatever new plays and operas the new government of Zaichaer had approved. Instead, she had made her way to the deep rooms beneath the Pfenning, the labyrinth of windowless, doorless chambers, utterly disconnected from any way back up to the surface world. This had been a storehouse for the coven, once, where great quantities of illegal magic could be kept and transported, directly through the city's heart. Thick layers of workings and stone meant that one of the Order's inspectors could stand directly atop the Pfenning's stage, and not one of his inspection glasses would pick up a hint of the magic underground.
Imogen stood in the middle of the largest of those shielded storerooms now, having pushed what remained in it to the sides. Here, in a chamber surrounded on all sides by shadow and stone, there would be absolutely no chance of any outside force interfering with her work. She wore the black-and-gold uniform of her order; an unusually formal choice, but she found that such affectations helped clear the mind and clarify the spirit in times like this. Once everything was moved, and there was a large enough space to satisfy her, she got down to the real work.
She drew the circle out to a space of ten paces; more space than was optimal, but her handwriting was a little over-large, and making the symbols any smaller was just asking for trouble. Once it was done, she permitted herself a nervous moment to inspect the work, then moved on.
The next bit was her favorite, in part because it was not a technical requirement of the rite and therefore couldn't really be done wrong. She'd been taught to incorporate certain symbols and flourishes into her spells, not so much because they did anything to shape the aether directly, but because they helped focus the caster and unify the participants, if there were multiple participants. She pulled a compass from her black coat, squinting at it in the storage room's dim light, then walked to the north of the circle.
”In the north, I place Agst'rasera.”
Imogen didn't have the World Tree on her person, at present, so instead she put down a symbol- a potted dwarf spruce, borrowed from the galleries upstairs. North was the wrong direction for it, but that was the point.
”To the south, I place the tower.”
Again, nothing of the sort was going to fit in this basement. Instead, she manifested her pact staff, the long bronze-clad rod glowing faintly as it floated upright to the southern end of the circle, adding some illumination to the room.
”To the east, I place the Marshal, Witch of the West.”
The stand-in for Marshal Gregoire was, of course, her Pact sword. First of her weapons and symbol (to her, anyway) of her devotion to the coven, it was a worn and undecorated thing, a great two-handed blade meant to do just one thing. It erupted into flame as she placed it, as it was wont to do.
”In the west, I place what should not be.”
She dumped the water out the jar she'd brought, letting the ancient fragment of hytori abmetal fall to the ground. Even with such a little bit, she could immediately feel a shift in the atmosphere, a sense of wrongness in the air.
The witch had worked up a sweat at this point, and she stopped a moment to wipe her brow. Thankfully, her last bit of prepwork was almost done. Exerting her will, she drew Ysandre's Smile from the air. The contours of the scattered boxes and crates came into sharp relief as sunlight flooded the room, radiating in all directions from the luminous bow she'd obtained from the Mountain. Imogen moved back to the western end of the circle, behind the abmetal, and sighted upwards, aiming the empty bow over the ritual space. After taking a moment to steady herself, she fired, an arrow of pure sunlight coalescing upon the bow in the instant she released the string. She waited until the arc reached its zenith, then cast her hand up, gripping the arrow with Elementalism and holding it in place. She placed the bow aside, taking a moment to admire the shimmering gloaming of dancing shadows and light it created in the chamber.
”The king made the sun, and the sun made light-
And the light, cut in two, was day and night.”
The shimmering ritual circle did not answer, of course. It was merely meant to focus her mind as she walked forward, careful to avoid stepping on the circle itself, and began the actual ritual. She laid her left hand on the ranseur, closing her eyes.
”The king had a dream, and the dream came true-
And the dream, cut in two, was me and you.”
She poured aether through the Rune of Reaving, then, and it ran up her arm and into the vessel. She'd claimed Pact weapons many times before, so there was no surprise as her mind seemed to expand, filling the confines of the weapon. Her spirit suffused the metal, which began to vibrate, humming slightly. Now the process had begun in earnest- and if she screwed it up, she might gain another pact weapon, but she would surely die.
The Pfenning Theater [Underground]
In old Zaichaer, the Pfenning Theater had been the nonpareil of entertainment in the city. The working man and well-to-do alike had thronged to the cheap seats when they could get them; high-ranking officers and nobles of the old order had paid top dollar for cherrywood boxes and seating in the gods. She'd worked there for many happy years, cleaning up for the patrons, keeping the brass and balustrades shiny as a button, occasionally manhandling drunken patrons out the doors and tossing them into the alleyways...
But the Theater had suffered badly in the catastrophe two years prior. It was far enough from the blast zone around the Presidium that it had mostly escaped serious structural damage, but the interior had been trashed by the transmutation of many of its patrons. Even after killing the thing they had become, Imogen Ward had despaired of ever seeing the grand old theaterhouse restored to working order.
It looked much better now- there were fresh posters on the streets outside, and the superficial damage to the interior had been patched up while more long-term work could commence. Doubtless it was once again full of folks entirely ignorant of the real purpose of the institution, actors and workers and accountants all acting as the busy fingers of the Railrunners without ever knowing it.
That original purpose was why the witch had returned here, today. Sans Carina, she had little interest in staying just to watch whatever new plays and operas the new government of Zaichaer had approved. Instead, she had made her way to the deep rooms beneath the Pfenning, the labyrinth of windowless, doorless chambers, utterly disconnected from any way back up to the surface world. This had been a storehouse for the coven, once, where great quantities of illegal magic could be kept and transported, directly through the city's heart. Thick layers of workings and stone meant that one of the Order's inspectors could stand directly atop the Pfenning's stage, and not one of his inspection glasses would pick up a hint of the magic underground.
Imogen stood in the middle of the largest of those shielded storerooms now, having pushed what remained in it to the sides. Here, in a chamber surrounded on all sides by shadow and stone, there would be absolutely no chance of any outside force interfering with her work. She wore the black-and-gold uniform of her order; an unusually formal choice, but she found that such affectations helped clear the mind and clarify the spirit in times like this. Once everything was moved, and there was a large enough space to satisfy her, she got down to the real work.
The first preparation was a simple magic circle. Even a novice witch could have drawn it from memory--even Imogen could probably have done it--but she brought a book with her and kept referring back to it anyway. The kind of magic the Sunsingers preferred was not finicky, it could usually be done even if you made some minor mistakes in the scrivening... but the whole purpose of this ritual was to make a very specific mistake in a very specific way. Additional fuck-ups couldn't be tolerated.
She drew the circle out to a space of ten paces; more space than was optimal, but her handwriting was a little over-large, and making the symbols any smaller was just asking for trouble. Once it was done, she permitted herself a nervous moment to inspect the work, then moved on.
For her second move, she deposited the vessel. She wasn't sure if it was best to have the ranseur's point facing upwards or downwards, or if that mattered at all, but she soon discovered that it was a lot easier to stick the tip a bit into the living stone beneath it than it was to balance it on the ferrule, so blade-down it was. It would have been entirely too embarassing to have the attempt ruined because the spear fell over.
The next bit was her favorite, in part because it was not a technical requirement of the rite and therefore couldn't really be done wrong. She'd been taught to incorporate certain symbols and flourishes into her spells, not so much because they did anything to shape the aether directly, but because they helped focus the caster and unify the participants, if there were multiple participants. She pulled a compass from her black coat, squinting at it in the storage room's dim light, then walked to the north of the circle.
”In the north, I place Agst'rasera.”
Imogen didn't have the World Tree on her person, at present, so instead she put down a symbol- a potted dwarf spruce, borrowed from the galleries upstairs. North was the wrong direction for it, but that was the point.
”To the south, I place the tower.”
Again, nothing of the sort was going to fit in this basement. Instead, she manifested her pact staff, the long bronze-clad rod glowing faintly as it floated upright to the southern end of the circle, adding some illumination to the room.
”To the east, I place the Marshal, Witch of the West.”
The stand-in for Marshal Gregoire was, of course, her Pact sword. First of her weapons and symbol (to her, anyway) of her devotion to the coven, it was a worn and undecorated thing, a great two-handed blade meant to do just one thing. It erupted into flame as she placed it, as it was wont to do.
”In the west, I place what should not be.”
She dumped the water out the jar she'd brought, letting the ancient fragment of hytori abmetal fall to the ground. Even with such a little bit, she could immediately feel a shift in the atmosphere, a sense of wrongness in the air.
The decorations done, she drew the next set of symbols. These were as simple as the circle itself- a Scrivening meant to draw aether from outside, down the line of symbols. She drew them carefully, four lines spiraling inward until each touched the tip of the vessel she'd prepared.
The witch had worked up a sweat at this point, and she stopped a moment to wipe her brow. Thankfully, her last bit of prepwork was almost done. Exerting her will, she drew Ysandre's Smile from the air. The contours of the scattered boxes and crates came into sharp relief as sunlight flooded the room, radiating in all directions from the luminous bow she'd obtained from the Mountain. Imogen moved back to the western end of the circle, behind the abmetal, and sighted upwards, aiming the empty bow over the ritual space. After taking a moment to steady herself, she fired, an arrow of pure sunlight coalescing upon the bow in the instant she released the string. She waited until the arc reached its zenith, then cast her hand up, gripping the arrow with Elementalism and holding it in place. She placed the bow aside, taking a moment to admire the shimmering gloaming of dancing shadows and light it created in the chamber.
”The king made the sun, and the sun made light-
And the light, cut in two, was day and night.”
The shimmering ritual circle did not answer, of course. It was merely meant to focus her mind as she walked forward, careful to avoid stepping on the circle itself, and began the actual ritual. She laid her left hand on the ranseur, closing her eyes.
”The king had a dream, and the dream came true-
And the dream, cut in two, was me and you.”
She poured aether through the Rune of Reaving, then, and it ran up her arm and into the vessel. She'd claimed Pact weapons many times before, so there was no surprise as her mind seemed to expand, filling the confines of the weapon. Her spirit suffused the metal, which began to vibrate, humming slightly. Now the process had begun in earnest- and if she screwed it up, she might gain another pact weapon, but she would surely die.